Harald Sohlberg (1869-1935) emerged as a prominent figure in the Norwegian Symbolism movement. This artistic movement sought to express emotional experiences through symbolic imagery. Sohlberg’s work reflects the influence of his contemporaries, such as Edvard Munch, who emphasized the psychological aspects of art.
In early 20th century Norway, Symbolism flourished as artists explored themes of nature, spirituality, and the human condition. Sohlberg’s Auto-retrato embodies these themes, showcasing a deep connection between the artist and his surroundings.
In Auto-retrato, Sohlberg masterfully employs light and shadow to create depth and emotion. The interplay of light highlights the artist’s features, while shadows add a sense of mystery, inviting viewers to ponder the complexities of self-identity.
Sohlberg’s color palette is rich and evocative. He uses deep blues and warm earth tones to convey introspection and warmth. The colors not only define the physical space but also reflect the artist’s inner emotional landscape.
Born in Norway, Sohlberg showed artistic talent from a young age. He studied at the Royal School of Art and Design in Oslo, where he developed his unique style, influenced by both Impressionism and Symbolism.
Throughout his career, Sohlberg achieved significant recognition. His participation in the Exhibition of Norwegian Art in 1901 marked a turning point, establishing him as a leading artist in Norway.
Sohlberg drew inspiration from various artists, including Vincent van Gogh and Paul Gauguin. Their use of color and emotional expression profoundly impacted his work, particularly in Auto-retrato.
Auto-retrato serves as a window into Sohlberg’s psyche. The painting reveals his struggles with identity and self-perception, making it a poignant exploration of the artist’s inner world.
The background of Auto-retrato features elements of the Norwegian landscape, symbolizing Sohlberg’s connection to nature. This connection reflects his belief that the natural world is intertwined with human emotion.
Sohlberg utilized traditional oil painting techniques, layering colors to achieve a rich texture. His brushwork varies from delicate strokes to bold applications, enhancing the emotional depth of the piece.
Auto-retrato is painted on a large canvas, measuring 100 x 80 cm. This size allows for an immersive experience, drawing viewers into the artist’s world.
Upon its completion, Auto-retrato received mixed reviews. Some critics praised its emotional depth, while others found it too introspective. Over time, however, it has come to be regarded as a significant work in Sohlberg’s oeuvre.
Sohlberg’s exploration of self-identity and emotional expression has influenced many contemporary artists. His ability to convey complex feelings through color and composition continues to resonate in modern art.
In his other self-portraits, Sohlberg often explores themes of solitude and introspection. Auto-retrato stands out for its profound emotional resonance and connection to the natural world.
While Sohlberg’s earlier works exhibit a more traditional approach, Auto-retrato showcases a shift towards a more personal and symbolic style, marking a pivotal moment in his artistic evolution.
Auto-retrato has been featured in several notable exhibitions, including the Norwegian National Gallery and various retrospectives of Sohlberg’s work, highlighting its significance in Norwegian art history.
Today, Auto-retrato is housed in the National Museum of Art, Architecture and Design in Oslo, Norway, where visitors can appreciate its beauty and complexity.
Harald Sohlberg’s Auto-retrato remains a vital piece in understanding Norwegian art. It encapsulates the emotional depth and symbolic richness characteristic of the Symbolism movement.
As contemporary audiences continue to seek authenticity and emotional connection in art, Auto-retrato endures as a powerful testament to the human experience, ensuring its place in art history.
Eleanor Wright, Chief Art Historian
Eleanor has over 20 years of experience in art history research and museum curation. She previously served as a curator at the Metropolitan Museum of Art.
Specialization: Renaissance and Baroque Art
Street in Røros in Winter by Harald Sohlberg, an oil painting with architectural themes.
Abbott Handerson Thayer
